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| The Gods of the Copybook Headings by Rudyard Kipling
Published in October 1919 when the poet was 53 years old, "The Gods of the Copybook Headings" has proved enduringly popular, despite the fact that copybooks disappeared from schoolrooms in Britain and America during, or shortly after, World War 2. A copybook was an exercise book used to practice one's handwriting in. The pages were blank except for horizontal rulings and a printed specimen of perfect handwriting at the top. You were supposed to copy this specimen all down the page. The specimens were proverbs or quotations, or little commonplace hortatory or admonitory sayings—the ones in the poem illustrate the kind of thing. These were the copybook headings. Kipling had lost his dearly loved son in World War 1, and a precious daughter some years earlier. He was a drained man in 1919, and England, with which he identified intensely, was a drained nation. Though he was no atheist, was in fact a Christian of an eccentric sort, Kipling seems to have found little consolation in religion. From Andrew Lycett's biography: For spiritual values, Rudyard was still looking for accommodation with Christianity, his instinctive religion. He explained to Haggard [i.e. the novelist Rider Haggard, his friend] in May 1918 that occasionally he felt the love of God but 'that the difficulty was to "hold" the mystic sense of this communion—that it passes.' True to form, Rudyard told his friend that God meant this phenomenon of the soul to be so—'that He doesn't mean that we should get too near to Him—that a glimpse is all that is allowed.' In recording this in his diary, Haggard noted: 'I think R. added because otherwise we should become unfitted for our work in the world.' Rudyard's reliance on Masonry [i.e. Freemasonry] as a prop, as an 'average plan of life,' was clear when, that very same month, he, who had taken little active part in Masonry since Lahore, joined the Correspondence Circle of the Quatuor [sic] Coronati Lodge No. 2076. At the time he wrote the poem, Kipling was embarked on his two-volume history of the Irish Guards—his son's regiment—in WW1. The project took him three years, and was, he remarked, "done with agony and bloody sweat." With all this as background, it is hard to disagree with the general opinion that "The Gods of the Copybook Headings" is a clinging to old-fashioned common sense by a man deeply in need of something to cling to.
As I pass through my incarnations in every age and race,
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